The Texas-based artist calls on people to come together in these stressful personal and political times and once again affirms her world-class stature with a distinctive perspective and a remarkable capacity for looking both inward and outward It’s our honor to be able to support these teams in ensuring that everyone is met with a warm, nourishing meal, and we are so thankful to all of our supporters who have come together to show the power that a plate of food can hold in even the darkest times. “The WCK team remains in awe of our partners across the region working day and night to feed people in need-we’ve seen incredible courage from Ukrainians showing up every day to cook in cities under siege. Let’s raise some money to fill up those trucks. The music will start at 3:00 pm and run until 8:00pm. We hope you will join us on Sunday, May 15th, to help us raise some money to send to the WCK to assist in this effort. They are filling trucks with food and supplies to prepare hot meals for the displaced persons in the Ukraine. Kiesza plays the Commodore Ballroom on Monday (April 20).The World Central Kitchen is once again on the move. And when I felt that sense of purpose, I felt like that was really important, and I should follow through with that.” I felt a sense of purpose when I wrote music. It came sort of effortlessly, and it was very therapeutic for me, and I felt like it also gave something to other people. “The moment I started songwriting, specifically on the guitar, actually, was when I realized that I had sort of a natural intuition for songwriting. “I didn’t know if I would succeed at it,” she says of pursuing life as a tunesmith and performer. (She has stated in the past that her aversion to killing her fellow humans put the kibosh on any aspirations of becoming a sniper.) In fact, Kiesza joined the Royal Canadian Navy at 17, honing skills as a code breaker and a marksman. Not bad for someone who hasn’t always seen making music full-time as a career goal. She recently worked on a new song with Duran Duran, and a couple of numbers she wrote are in consideration for the next Rihanna album. She’s the featured vocalist on “Take U There”, the debut single from Jack Ü (aka superstar producers Diplo and Skrillex), for example, and she sings on the Joey Bada$$ cut “Teach Me”. That audience is expanding all the time, thanks in part to Kiesza’s collaborations with other artists. They’d never heard it before, so they felt like they had a whole new sound, whereas other people felt nostalgic from their past. I feel like what happened, sort of unintentionally, was that a lot of people felt nostalgia from some of the music I was making, whereas a lot of the younger kids, it was brand-new to them. “My mom was the one who kept that era playing in our household, because she still loved it. “The early ’90s was even a little before my time, because I was a baby in the early ’90s,” she says. The singer, who was born in 1989, notes that even she doesn’t remember when tracks like “Finally” and “What Is Love?” ruled the dance floor. The artist formerly known as Kiesa Rae Ellestad admits that her callbacks to a bygone era might be lost on her younger fans. That’s not necessarily what I’m going for all the time, but with my last album I was paying homage to the ’90s era that I really love and grew up with, but taking it to a more fresh, modern place.” “I like to take throwback sounds and make them modern. “I like to call my style a sort of throwback to the future,” Kiesza says with a laugh when the Straight connects with her at a tour stop in Las Vegas. The Calgary-born performer, who had a sizable hit last year with “Hideaway”-showcasing both her powerhouse pipes and her affinity for house beats-presumably takes comparisons to the likes of CeCe Peniston and Lisa Stansfield as high praise. In reviewing the singer’s breakthrough LP-the multiple-Juno winner Sound of a Woman- Spin’s Brennan Carley called it “one of the most elastic albums of the 1990s”, while the Guardian compared it to “Top of the Pops in 1992”. Listeners have found Kiesza’s music to be a tad on the retro side, and she’s okay with that.
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